Tarzanxshameofjane1995engl
D'Amato’s background in mainstream cinematography gave Tarzan X a distinct visual edge compared to cheap, studio-bound American features of the same era:
| | Role | | :--- | :--- | | Rocco Siffredi | Apeman / John (Tarzan) | | Rosa Caracciolo | Jane | | Nikita Gross | Diana | | Attila Schuszter | Mike |
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Tarzan-X: Shame of Jane (1995) - TMDB
Rocco Siffredi, often called the "Italian Stallion," is a legendary figure in the adult film industry. By the time he made Tarzan-X , he was already an international star. In the film, he plays a surprisingly gentle and naive Tarzan, a man who is both physically imposing and emotionally vulnerable. One reviewer praised his performance, stating: "Rocco is well cast here because he really does seem like someone you'd find in a jungle... while still meeting the dramatic requirements of a 'real movie'."
When she finally found Tarzan, he was standing at the edge of the high waterfall—the one that fell so far the mist never reached the bottom. He held the mirror in both hands like an offering. tarzanxshameofjane1995engl
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According to community reviews on databases like IMDb and consumer feedback on platforms like KinoPoisk , the film suffers from the common 1990s pitfall of over-extended runtime. Clocking in at over two hours, the sheer length of the explicit scenes occasionally bogs down the pacing of what could have been a tightly written adventure satire. However, for those studying the history of European exploitation and the career of Joe D'Amato, Tarzan-X remains a monumental benchmark of high-budget adult filmmaking from a bygone era.
Tarzan X was released in 1995 during a boom period for high-budget European adult cinema. Unlike the majority of live-action adult parodies produced in the United States at the time, this project was conceived as a feature-length, fully animated parody. Key Creative Elements
Tharzan - La vera storia del figlio della giungla (1995) - IMDb Can’t copy the link right now
It was a small thing, salvaged from the wreck of the Fuwalda —a silver-backed hand mirror that had once belonged to her late mother. Jane kept it hidden in a hollow of the mongoose tree, wrapped in a scrap of sailcloth. She told herself it was a relic, a comfort. But every third sunrise, she would sneak away from the knot-hut she shared with Tarzan and sit before it, cross-legged on the moss.
: A notable sequence includes Jane helping the Ape Man with his first shave and teaching him about human life through a mirror.
If you want to look deeper into this era of exploitation cinema, let me know:
There is no direct intersection.
It demonstrated that high-cost animation could find a market in adult entertainment, paving the way for modern 3D and digital parodies.
Includes actors such as Nikita and characters like Professor Hugh . Content and Production
But Jane had been raised on English geometry. On teacups and teaspoons and the precise angle of a lady’s spine. And some lessons are not unlearned by simply shedding one’s corset.
| Publication | Rating | Quote | |-------------|--------|-------| | AV Maniacs (1996) | 1/5 | “A flaccid attempt at jungle fever.” | | Video Premiere (1995) | 2/5 | “Surprisingly well-lit, but nonsensical.” | | Letterboxd user (2021) | 2.5/5 | “Campy, awkward, historically interesting for parody scholars.” | By the time he made Tarzan-X , he